“One of the most admired pianists of his generation”

The New york times

About inon

“This is superior playing, in which penetrating musicianship, compelling interpretive insight and elegant pianism achieve near perfect equilibrium.”

BBC Music

“One of the most admired pianists of his generation” (New York Times), Inon Barnatan has received universal acclaim for his “uncommon sensitivity” (The New Yorker), “impeccable musicality and phrasing” (Le Figaro), and his stature as “a true poet of the keyboard: refined, searching, unfailingly communicative” (The Evening Standard). A multifaceted musician, Barnatan is equally celebrated as soloist, curator and collaborator.

Full Bio

“One of the most admired pianists of his generation” (New York Times), Inon Barnatan has received universal acclaim for his “uncommon sensitivity” (The New Yorker), “impeccable musicality and phrasing” (Le Figaro), and his stature as “a true poet of the keyboard: refined, searching, unfailingly communicative” (The Evening Standard). A multifaceted musician, Barnatan is equally celebrated as soloist, curator and collaborator.

Press Pack
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Beethoven concerto no. 4 - Gilbert & Barnatan | NDR

Inon Barnatan plays Beethoven's 4th piano concerto with the NDR Elbphilharmonie Orchestra in Hamburg's Elbphilharmonie under the direction of Alan Gilbert

Upcoming performances

Tokyo Spring Festival

Tokyo National Museum
Tokyo, Japan

Solo recital

All-Bach

‍

April 2, 2025
Tickets

Auckland Philharmonia

Auckland,NZ

Brahms: Piano Concerto no. 2

Auckland Philharmonia; Elena Schwartz, conductor

April 10, 2025
Tickets

Naples Philharmonic

Hayes Hall
Naples, FL

‍‍Beethoven: Piano Concerto no. 4

Naples Philharmonic
Inon Barnatan, piano Andreas Ottensamer, conductor

April 24, 2025
Tickets

The evening’s undisputed star was Barnatan… From barely audible, feathery trills to heaven-storming thunderbolts, Barnatan orchestrated every phrase with sovereign mastery… fine music-making wedded to astounding technique.

The Washington Post

“A breathtaking charisma that comes from gorgeously turned out technique, a masterly sense of color, and an expressiveness that can question, weep, or shout joy from the rooftops.”

Philadelphia Inquirer